paris exposition 1900 video

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January 22, 2019

[33], Quai d'Orsay-Pont des Invalides station of the moving sidewalk near the Pavilion of Italy, Viaducts of the electric train (left) and the moving sidewalk (right), The first ever trolleybuses in regular passenger service (Bois de Vincennes). Askew.[23]. A 2.87 metres (9ft 5in) copy of the Statue of Liberty by Frdric Auguste Bartholdi exhibited at the Fair, was placed in the Luxembourg Gardens in 1905 at the request of his widow. [2], At the Rue des Nations, on the left bank of the Seine, on the Quai d'Orsay, overlooking the river, from the Pont des Invalides towards the Pont de l'Alma, were located the national pavilions of Italy, Turkey, the United States, Austria, Bosnia and Herzegovina, Hungary, Great Britain, Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece, Serbia and Mexico. The illusion was aided by machinery that rocked the ship, and fans which blew gusts of wind.[35]. The Globe Cleste was featured in an advertisement for Suchard Chocolate, The Lumire brothers, who had made the first public projections of a motion picture in 1895, presented their films on a colossal screen, 21 metres (69ft) by 16 metres (52ft), in the Gallery of Machines. Each thematic pavilion was divided into national sections, which were the responsibility of the corresponding country and where its exhibitors were located. The widest and longest of the Paris bridges at the time, it was constructed on a single arch of steel 108 metres (354ft) long. Diagram of the Great Paris Exhibition Telescope of 1900. It housed the Retrospective Exhibition of Spanish Art formed by the collection of tapestries, in which thirty-seven pieces made between the 15th and 18th centuries from the Royal Collections were exhibited. Baseline Co. Ltd. Pavilion of French Algeria by Albert Ballu, Pavilion of French Tunisia by Henri-Jules Saladin, Pavilion of French Indochina - Replica of the Co Loa Palace in Hanoi, Pavilion of Dutch East Indies - Replica of Sari Temple in Yogyakarta. View of the Pont Alexandre III toward Les Invalides, The Pont Alexandre III with the Grand Palais (left) and the Petit Palais (right) in the background, View of the Seine from the Pont Alexandre III, To house the industrial, commercial, scientific, technological and cultural exhibitions, the French organization built huge thematic pavilions on the esplanade of Les Invalides and the Champ de Mars and reused the Galerie des machines from the 1889 Exposition. Porte Monumentale on the Place de la Concorde. [25], The Chinese pavilion, designed by Louis Masson-Dtourbet, was in the form of a Buddhist temple with staff in Chinese traditional dress. The jewelry firm of Fouquet and the glass and crystal manufactory of Lalique all presented collections of Art Nouveau objects. Its purpose was to promote French commerce, technology and culture. The central arch was flanked by two slender, candle-like towers, resembling minarets. Rue des Nations. "International physical exercises and sports competition") in the official report of the Exposition. [2], The pavilion of Finland, designed by Gesellius, Lindgren, Saarinen, had clean-cut, modern architecture.[2]. The concessionaires then went on strike, which ultimately resulted in the closure of a large part of the exposition. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Short silent actuality films documenting the Exposition by French director Georges Mlis and by Edison Manufacturing Company producer James H. White, have survived. [9] The interior offers examples of Art Nouveau, particularly in the railings of the curving stairways, the tiles of the floors, the stained glass, and the murals on the ceiling of the arcade around the garden. [3][2], Countries from around the world were invited by France to showcase their achievements and cultures. The rail track was sometimes at 7 metres (23ft) high like the movable sidewalks, sometimes at ground level and sometimes underground. The Palace of Furniture and Decoration was particularly lavish and presented many displays of the new Art Nouveau style. [18], The Petit Palais, that is facing the Grand Palais, was designed by Charles Girault. The free balloon competition race was won by a balloon which traved 1,925 kilometres (1,196mi) from Paris to Russia in 35 hours and 45 minutes. At the ends, the bridge was supported by four massive stone pylons 13 metres (43ft) high, decorated with statues of the Renomes (The Renowned), female figures with trumpets, and gilded statues of the horse Pegasus. At the same time, the lifts in the east and west legs were replaced by lifts running as far as the second level and the lift in the north pillar was removed and replaced by a staircase to the first level. The French Caribbean islands promoted their rum and other products, while the French colony of New Caledonia highlighted its exotic varieties of wood and its rich mineral deposits. Three French Presidents and ten Ministers of Commerce held office before it was completed. [9] Designed by Karl Panek, it featured murals on the history of Slavic peoples by Alphonse Mucha. The film, projected on a circular screen 93 metres (305ft) in circumference by ten synchronized projectors, depicted a landscape passing below. The goal of the exhibition was to demonstrate progress and commemorate the lives of African Americans at the turn of the century. [28], Morocco had its pavilion near the Eiffel Tower and was designed by Henri-Jules Saladin. [11] The Russian element was in the center, with statuary of the Nymphs of the Neva River holding a gilded seal of the Russian Empire. Among the most popular was the Palace of Optics, whose main attractions included the Great Paris Exposition Telescope, which enlarged the image of the moon ten thousand times. The Eiffel Tower, that was built as the main entrance of the 1889 Exposition, was the main and central attraction of the 1900 Exposition. The Palais des Illusions created a show of optical illusions with mirrors and lighting effects. It also included the Grand Palais and Petit Palais on the right bank. The main U.S. presence was in the commercial and industrial palaces. [15][9] Visitors could go inside to see the steam-powered generators which provided electricity for the buildings of the Exposition. The French Emperor Napoleon III attended and was deeply impressed. Following the accident the French government established the first regulations for the use of reinforced concrete. [46] The pigeon race was won by a bird which flew from Paris to its home in Lyon in four and a half hours. [52], Many Exposition posters also made use of the Art Nouveau style. With a much larger than expected turnout the exhibit sites had gone up in value. 3,156 grand prizes were handed out, 8,889 gold medals, 13,300 silver medals, 12,108 bronze medals, and 8,422 honorable mentions. Forty thousand visitors an hour could pass beneath the arch to approach the twenty-six ticket booths. H.F. Ullmann. [34], Another popular attraction was the Mareorama, which simulated a voyage by ship from Villefranche to Constantinople. Du Bois. [25], Pavilion of China by Louis Masson-Dtourbet, Pavilion of Morocco by Henri-Jules Saladin. A chess tournament was also held. [9][2], The Water castle, facing the Palace of Electricity, had an equally imposing appearance. It was a large hall which used mirrors and electric lighting to create a show of colorful and bizarre optical illusions. Sarah Bernhardt as L'Aiglon, the son of Napoleon Bonaparte, played to full houses in her theater during the Exposition. [9] Much like the Grand Palais, the facade is Beaux-Arts and Neo-Baroque, reminiscent of the Grand Trianon and the stable at Chantilly. He produced displays for the jeweler Georges Fouquet and the perfume maker Houbigant, with statuettes and panels of women depicting the scents of rose, orange blossom, violet and buttercup. The globe, designed by Napolon de Tdesco, was 45 metres (148ft) in diameter, and the blue and gold exterior was painted with the constellations and the signs of the zodiac. This page was last edited on 20 July 2022, at 07:30. The first international exposition was held in London in 1851. The largest space was for the French colonies in Africa, the Caribbean, the Pacific and Southeast Asia. [9] The entrance murals were painted by Paul-Albert Besnard and Paul Albert Laurens. [48], The cost of an admission ticket was one Franc. Other features of the optics pavilion included demonstrations of X-rays and dancers performing in phosphorescent costumes. The image was projected on a screen 144 square metres (1,550sqft) in size, in a hall which seated two thousand visitors. The amount budgeted for the Paris Exposition was one hundred million French Francs; twenty million from the French State, twenty million from the City of Paris, and the remaining sixty million expected to come from admissions, and backed by French banks and financial institutions.[50]. At the time, the average hourly wage for Paris workers was between 40 and 50 centimes. [39], Other recreations with costumed vendors and musicians elsewhere the Exposition included recreations of the bazaars, souks and street markets of Algiers, Tunis and Laos, a Venetian canal with gondolas, a Russian village and a Japanese tea house. An area of several dozen hectares on the hill of the Trocadro Palace was set aside for the pavilions of the colonies and protectorates of France, the Netherlands, Great Britain, and Portugal. It was placed atop a masonry support 18 metres (59ft) high, supported by four columns. The Exposition buildings were meant to be temporary; they were built on iron frames covered with plaster and staff, a kind of inexpensive artificial stone. The awards ceremony was held on 18 August 1900, and was attended by 11,500 persons. It was the first trolleybus in regular passenger service in History. [25], The North African French colonies were especially present; The Tunisian pavilion was a miniature recreation of the Sidi Mahrez Mosque of Tunis. [32], An experimental passenger electrobus line, designed by Louis Lombard-Grin, ran in the Bois de Vincennes from 2 August to 12 November 1900. During the disruption at the Fair, a Chinese procession was attacked by angered Parisians. [19], Grand Palais central hall with the exhibition of sculptures, The industrial and commercial exhibits were located inside several large palaces on the esplanade between les Invalides and the Alexander III Bridge. It was designed by Ferdinand Boberg. [1][2], Planning for the 1900 Exposition began in 1892, under President Carnot, with Alfred Picard as Commissioner-General. [43], 997 competitors took part in nineteen different sports, including women competing for the first time. Additionally, it showcased France as a major colonial power through numerous pavilions built on the hill of the Trocadro Palace. It could carry 1,600 passengers in its forty cars in a single voyage. [8][9] Above the ticket booth windows, the names of provincial cities were inscribed, symbolically enacting a hierarchical relation between Paris and the provinces. The architecture of the Exposition was largely of the Belle Epoque style and Beaux-Arts style, or of eclectic national styles. From left to right: Pavilions of Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece and Serbia. The total area of the Exposition, 216 hectares (530 acres), was ten times larger than the 1855 Exposition.[4]. Finland, although having a national pavilion located at the Rue des Nations, officially participated as part of Russia. [38], The Swiss Village, at the edge of the Exposition near Avenue de Sufren and Motte-Piquet, was a recreation of a Swiss mountainside village, complete with a 35 metres (115ft) cascade, a lake and collection of thirty-five chalets. The 1900 Summer Olympics were the second modern Olympics games held, and the first ones held outside Greece. To resolve the matter, the concessionaires were given a fractional refund of the rent they had paid.[2]. The Rue des Nations was created along the banks of the Seine between the esplanade of Les Invalides and the Champ de Mars for the national pavilions of the larger countries. Some country with a strong presence in a specific sector, at its own request, was even granted a plot adjoining to the main building to built a small pavilion to house its exhibitors.[12]. Gontar, Cybele. This telescope was the largest refracting telescope at that time. Provence was represented by two reconstructions, a Provenal farmhouse or mas and a reconstruction called Vieil Arles which reconstructed certain Roman ruins and part of the town's cathedral. A few of the major structures built for the Exposition were preserved, including the Grand Palais and the Petit Palais, and the two major bridges, the Pont Alexandre III and the Passerelle Debilly, though the latter was later dismantled and moved a few dozen meters from its original placement.[55]. The sidewalks had posts with handles which passengers could hold onto, or they could walk. Its most popular feature was the Champagne Palace, offering displays and samples of French Champagne. It was threatened with demolition in the 1960s but was saved by culture minister Andr Malraux. His more serious art works, including his drawings for Le Pater, were shown in the Austrian pavilion and in the Austrian section of the Grand Palais. [22] The exhibit included a statuette of Frederick Douglass, four bound volumes of nearly 400 official patents by African Americans, photographs from several educational institutions (Fisk University, Howard University, Roger Williams University, Tuskegee Institute, Claflin University, Berea College, North Carolina A&T), and, most memorably, some five hundred photographs of African-American men and women, homes, churches, businesses and landscapes including photographs from Thomas E. Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}485122N 21752E / 48.8561N 2.2978E / 48.8561; 2.2978, World's Fair held in Paris, France, from 14 April to 12 November 1900, "Paris Exposition, 1900" redirects here. The optical tube assembly was 60 metres (200ft) long and 1.5 metres (4ft 11in) in diameter, and was fixed in place due to its mass. Major structures built for the Exposition include the Grand Palais, the Petit Palais, the Pont Alexandre III, the Gare d'Orsay railroad station and the entrances of Paris Mtro stations by Hector Guimard; all of them remaining today, including two original entrances by Guimard. The central tower was crowned by an enormous illuminated star and a chariot carrying a statue of the Spirit of Electricity 6.5 metres (21ft) high, holding aloft a torch powered by 50,000 volts of electricity, provided by the steam engines and generators inside the Palace. L'Andalousie au temps des Maures (transl. [47], Gymnasts at opening ceremony (Bois de Vincennes), Hlne Pvost, French women's tennis champion at the 1900 Paris Olympics, the first games in which women competed, A combined Swedish-Danish team defeated France in the Olympic Tug-of-War competition, Beginning of the balloon event at the 1900 Summer Olympics (Bois de Vincennes), Another special event at the Exposition was a gigantic banquet hosted by the French President, mile Loubet, for 20,777 mayors of France, Algeria and towns in French colonies, hosted on 22 September 1900 in the Tuileries Gardens, inside two enormous tents.

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