nikon super coolscan 9000 ed

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January 22, 2019

Scanning time considerably decreases when not scanning with the highest resolution 4000dpi but with 2000dpi or less. In the foreground there's a large black area - there seems to be no more information to bring out of the image. Not until you perform an IT-8 colour calibration. When performing the fine scan you should thoroughly consider if you really need the highest resolution of 4000dpi, because a scan with the highest resolution taxes the user's patience. You can particularly see it with discerning twilight or night shots. Hence unused areas are due to be covered with special cover strips because otherwise the colour detection of the scanner could fail. Only uniform film holders can be inserted into the LS-9000 and there is nothing for APS cartridges in this format. Maybe it's better to simply scan 1000 different images to make a conclusion by rule of thumb. It never happened to me both with and without cover, so I dare to say that you normally dont't have to bother with that. But only with this holder the scanner becomes a real all-rounder which can handle any film material up to a size of 6x9 cm. Conclusion of the last 5 paragraphs: The scan software of the Nikon 9000 contains a great many algorithms for automatic image enhancement which positively affect the image qualitiy in a comfortable way. The second link of the chain is also very important - and often overlooked: the scan software. Thus the glass holder is suitable for scanning Xpan formats to only a limited extent. Placing medium format positives or negatives in the FH-869S is not easy especially for unpractised hands. Nikon supplies a twopart software bundle with the filmscanners: Unlike the 35mm film scanners Coolscan V and Super Coolscan 5000 the medium format scanner Super Coolscan 9000 doesn't come with Photoshop Elements. With the IT-8 calibration you generate an ICC profile for you scanner which the software uses for every scan. Thus the Super Coolscan 9000 ED can digitise up to twelve 35mm images at once. To achieve a higher sharpness you can use the function "unsharp mask" with a live preview in the preview window. There are small bridges located between the frames for holding the film strip. Regarding the price you can see how fancy the application of scanning 16mm films is. The user interface is very clear and easy to use: there is a preview window, a little window showing the scan progress and a palette window containing all settings. With all those catchwords for image correction you can easily forget the often most important process: you can perform multiple scans (2-, 4-, 8-, 16-fold) with the Super Coolsscan 9000 ED, i.e. Because the 35mm film scanners Nikon Coolscan V and Super Coolscan 5000 came up with an excellent resolution of 3900dpi the Super Coolscan 9000 raised expectations. Just like the little Nikons LS-50 and LS-5000 considerably increased speed compared to their predecessors, the new LS-9000 clearly outguns its predecessor LS-8000 concerning scanning times. You'll get Version 4 of the scan software NikonScan. The Super Coolscan 9000 ED generates the index scan very quickly. Hence my review won't turn out to be much different compared to the predecessor. While one would willingly do without this index scan with 35mm films in order to save time the index scan is indispensable with medium format films in order to make sure that the film is correctly placed in the holder and the software correctly detects the single frames. Such a strip film holder is "only" a piece of plastic which gets very expensive though when produced in very small batches only. In the field of medium formats you can clearly see that the LS-9000 considerably gained speed compared to the LS-8000. So you can save for example all settings for mounted colour slides as "Slide4000jpgICE.set" and easily load these settings when scanning such film material. It may sound a bit negative, but actually it's a big advantage for the Nikon 9000 ED that there is an accordant film holder for virtually every kind of film, so that you can digitise exotic film material, too like 16mm films or fractions of film with this scanner. Such a scan naturally takes a lot of time but prevents appearence of the lines. The predecessor was restricted to 14Bit colour depth per cannel - in this respect the 9000 made a step forward just like the small 5000. no matter how thick the mounts are, is securely fixed in the slide holder. I recommend wearing cotton gloves and using tweezers in order to avoid touching the film material. The slides may be between 1,0 and 3,2mm thick - hence you can scan virutally any slides, no matter if they are in paper board mounts, plastic mounts or even in double glass mounts. Nikon specifies a density range of 4,8. When scanning negatives the scan software's possibility of saving the user settings is very practical. it must be adjusted individually for every image, and it can be displaced by changing the gradaton curves. And finally you can place medium format film with lenghts of up to 20 cm in the 120/220 strip film holder FH-869S, for example 4 frames in the size 4.5x6 or 2 frames in the size 6x9. Can the software be recommended? By this means two mounted slides up to 6x6 can be batch scanned. While the rotatable holder FH-869GR comes with two additional maskers for 35mm panorama frames beside the medium format maskers, these additional maskers are unfortunately missing with the FH-869G. This test report describes the test object as we have received and tested it. Thus GEM is not a function that you can always keep turned on without hesitation, but you should perform tests with every single film to find out if there is any annyoing grain effect or not. prefix, suffix and number. This matter gets extremely difficult if the film strip is strongly curled or curved. Curled slides can be easily processed by means of this very good design. You'll find neither bridges nor markings for the single frames on the MF strip film holder. The casing is virtually identical to the predecessor, only the front side has been furbished with a slightly different design - just like the LS-5000. You simply insert the film material left-aligned in turn. This also confirms my statement that it doesn't depend on what the image looks like after scanning but on which information the file contains, i.e. In this case it would be advantageous to purchase two FH-869M, so that you can prepare one while the other is in the scanner. In this manner you can process huge amounts of mounted 35mm slides in a very comfortable way with the Super Coolscan LS-9000 ED, too. Of course NikonScan has got some shortcomings too which I don't want to keep secret. Overall digitising mounted medium format slides with the mounted film holder FH-869M is easy going. Of course this construction reaches its limits when scanning a curled and a normal image at the same time: while one image is plane already the other still has to be retightened - this virtually doesn't work. If the automatic frame detection fails there is the very useful image positioning tool of the Nikon scan software. The FH-869M possesses two slots so that two mounted MF slides can be scanned at once. Unfortunatlely there are neither markings nor bridges indicating where the frames and gaps should exactly be located, so that you have to spend quite a lot of time to get a feeling for exactly postioning the film strips. Let's deal with the scan software Nikon Scan. Who orders a Nikon Super Coolscan 9000 ED will receive a packet which blasts all known dimensions. Supplying Nikon View makes sense by all means, although 99% of all users won't ever use this programm, because not everybody wants to spend 15-30 minutes for image processing, settings, enhancement and so on after scanning an image. For setting the colour there is gradation curves, colour balance sliders, a LCH editor and an analog-amplifying slider. Furthermore you can switch the Scan Image Enhancer (automatic setting of brightness and contrast) on and off. The LS-9000 impresses with its excellent image quality, its effective resolution of 3900dpi and with its wide effective density range. Of course the interesting thing about that is that Nikonscan can operate two scanners at the same time. Compared to the mammoth box the scanner almost appears small with its dimensions of 249 x 202 x 499 mm, although it's much bigger than a typical 35mm film scanner. You can scan mounted medium format slides, too with the Nikon Super Coolscan 9000 ED. The according film material is then placed Small bearings at the top and at the bottom hold the film strips tight. Finally there are individual sliders for the scanner's special features ICE4, which is the dust and scratches correction, the grain equalization GEM, the colour restoration ROC and the exposure extender DDE. Same applies for taking the slides out: five recesses on the other side provide easy removal of the slides. Conclusion: the strip film holder with glass FH-869G is ideal for scanning several curved medium format images in the form of film strips or single frames at once. It's clear that you can't fix too much with the image editing software if already the first link of this chain is weak. This is laborious and very time consuming. If you scan an image with 48 Bit colour depth and save the outcome in the TIF format, you'll have all image information in a large file, so that you can make a virtually perfect digital image by editing it afterwards. Then accordingly sized index images are displayed if desired. I can only confirm rumors which accuse a certain blur to the ICE process insofar that in areas where big dust particles have to be corrected away with the surrounding pixels a certain impression of blur inevitably occurs. It's clear that you'll need a fast computer with a lot of RAM for these data volumes. It's getting even more effective and comfortable if you purchase a second strip film holder FH-835S. Furthermore you'll surely need one or another optional film holder, for example one with glass for scanning 35mm panorama images. We already know the grain equalization GEM and the colour enhancement ROC from the predecessor. With the supplied MF strip film holder FH-869S you can digitise the medium formats (120/220) 6x4.5, 6x6, 6x7, 6x8 and 6x9 cm. Scanning film strips is very laborious if you follow the instructions of the user guide. In a scan with a colour depth of 16 Bit there can easily be 2000 shades of grey between black and dark grey - and that makes up the image quality. Or should we just assume the Nikon 9000 scans normal snap shots perfectly and fade to discerning originals like night shots or back light shots? With such experiments you can indeed determine certain numerical values, but you often can't use them to find out what an image will look like. This rotating holder combines two special features: the film is not inserted directly but between two glass plates. This colour profile gets embeded into Silverfast and is applied to every scan. The left picture shows a failed shot, which irritated the camera's automatic exposure because of the bright sky. Just like with the 35mm slide mount adaptor Nikon specifies the thickness of the mounts between 1,0 and 3,2mm with the medium format holder, too. The strip film holder FH-869G possesses a scan area of 6cm width and 20cm height and can be easily opened and closed by means of a spring lock. But because a single scan with the highest resolution takes a lot of time scanning a great many medium format slides is very time-consuming, especially if you insert and scan every slide individually. However detecting the image size then works automatically, so that you can directly perform a fine scan without index- and pre scan. It's particularly remarkable that all three Nikon scanners, the Coolscan V ED, the Super Coolscan 5000 Ed and the Super Coolscan 9000 ED, come of very well with the scame resolution. But I don't want to ignore those users who are not familiar with using gradation curves: for them the DDE slider is a comfortable way to get more details into very dark image areas. A slide feeder wich could be used to scan 50 slides at once (SF-210), as it is available for the LS-5000 ED, is not available for the big Nikon scanner. With a maximum original size of 6x9 cm and its highest resolution (4000dpi) the Super Coolscan 9000 ED provides an image with unimaginable 130 megapixel. When comparing a Kodachrome scan with activated ICE the differences between the LS-9000 and the LS-5000 are striking - please see my article about scanning Kodachrome films. Nikon recommends to send in the scanner in this case. You'd think that with a glass plate sized 6x20 cm you could scan 6x12 cm large format transparencies, too. After all the Super Coolscan 8000 ED was virtually unrivalled in its class and convincing in all issues. Because the standard software can not perform IT-8 calibration you're virtually obliged to spend several hundret Euros extra for Silverfast Ai. I already mentioned that the ICE dust and scratches correction works flawlessly. You can virually scan everything up to a size of 6x9 cm with this special film holder. But you definitely can't. For doing so you have to loosen a lock at the lower metal bar and pull the tension device outwards until the film is tense. Actually that's a pitty, because in my opinion a holder with glass is almost standard equipment of a medium format film scanner.

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